Michael Hall |
“Welcome to the seminar,” he said. “I’m Mike Hall, senior editor of Texas Monthly magazine. We will be dealing with long form
journalism for the next five days.” We already knew that, of course, because he was the reason
why we found ourselves seated in front of him. Our group of
thirteen people constituted a baker’s dozen of writers who had come to Alpine,
Texas to hear him say that. We would be his students for the week in a Writer’s
League of Texas workshop held on the campus of Sul Ross State University.
Those of us seated around his
seminar table had already spilled much ink in our respective writing careers,
in some cases achieving wordsmithing success well beyond novice levels. His students for the week had authored books, served as magazine editors,
and regularly wrote non-fiction articles appearing in academic journals,
mass-distribution periodicals, and newspapers including the New York Times, the Wall Street Journal, and most of the major ones in Texas.
Mike grabbed a magic marker and began writing on large white poster paper attached to an easel. He diagrammed in detail the structure of an article from the March 2013 issue of Texas Monthly he had written about
bicyclist Lance Armstrong’s fall from grace. He dissected the essay with a
brain surgeon’s precision as he peppered us with observations about how he
worked. “All good long form journalism, “he explained,“ starts with a scene. Articles are like movies, they have to be written as if readers are seeing them in their heads. Good magazine pieces are composed of blocks, each of
which should have a scene.” He stressed that the “nut graph” is the most important block of the story. This is
the part of the piece that contains the main point of the article, stated
concisely and clearly. "Any questions?" They came quickly and steadily for the next hour.
This set the scene for an intense week of writing, editing, revising, and rewriting. We found new ways to say old things, while we learned how to smile in the face of "upend editing," which constitutes a thorough rearranging and restructuring down to the heart of the matter. A successful upend edit can deflate a writer's ego much like a pin against a balloon. Nonetheless, we happily took upending in stride and pressed on with vigor. We discussed up and down for five days the
ins and outs of long form journalism. We talked a lot, laughed a lot, thought a
lot, and wrote a lot. Mike Hall edited a lot. He taught us how to write scenes.
And, in the process of all this, he stole the scene himself in our estimation. There was only one disappointment: his seminar lasted for one week, not two.
Click here for the Writer's League of Texas
Click here for Michael Hall's March 2013 Texas Monthly article on Lance Armstrong
Light Cummins reading at Front Street Books from his seminar article as edited by Michael Hall |
Click here for the Writer's League of Texas
Click here for Michael Hall's March 2013 Texas Monthly article on Lance Armstrong